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Sally Nex

Tag Archives: best artisan garden

Postcard from Chelsea: Heavy metal gardening

25 Thursday May 2017

Posted by sallynex in shows

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artisan gardens, best artisan garden, RHS Chelsea Flower Show

Walkers Wharf Garden by Graham Bodle

Best Artisan Garden

I can’t help feeling the judges have been in a slightly bolshy frame of mind this week. Certainly they’ve been in uncompromising mood, with not the slightest concession to things like popularity or crowd-pleasing.

And so they walked past Sarah Eberle’s perfect orange tree and the breathtaking beauty of Gosho no Niwa (No Wall, No War); they turned from the thoughtful planting on the World Horse Welfare garden and the hand-made wooden boat on the Broadland Boatbuilder’s Garden. And instead, they chose as their favourite a garden full of post-industrial rusty metal and hardly a flower in sight.

It might not have been my own choice for the best of the exceptionally good lineup of Artisan gardens this year. But I could see why they singled it out.

The planting was delicately understated yet full of unusual choices like rushes, water mint and miniature hostas. And it had several beautiful little touches: I loved the way the rusty orange flowers on the Pinus sylvestris were picked up in the seat and again in the rusty metal.

It also chimes with one of the RHS’s Big Messages at the moment in showing how a ‘grey’ bit of Britain – i.e. a post-industrial landscape full of the debris of heavy industry – could be transformed through planting. And in the process, managed somehow to convince me that things like rusty old chains made for some really rather funky garden sculpture.

Besides, any garden that shoehorns a socking great iron crane into a tiny 5m x 7m space and then sets it off with plants in such a way as to make it look pretty damn fantastic has already pulled off a fairly spectacular feat of imagination and engineering. Which, when you think about it, is reason enough to claim the top prize. Bloody brilliant.

Postcard from Chelsea #3: Floating pretty

25 Wednesday May 2016

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artisan gardens, best artisan garden, RHS Chelsea Flower Show, Sarah Eberle, tropical

IMG_3607
It takes some doing to create a garden in a 7m x 5m space which is so complex, so detailed and so atmospheric it can take you halfway across the world in a second.

But so it is with Sarah Eberle’s lushly planted slice of the Mekong Delta for Viking Cruises – winner of a gold medal and Best Artisan garden (by miles, if I had my way). So luxuriant, so densely-planted, so detailed is it that there’s just no way to do it justice with a few snatched pictures – so you’ll have to take my word for it. It’s a true piece of theatre.

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The planting floats in flat-bottomed traditional Cambodian fishing boats, dripping leaves and flowers over the sides into the water beneath. A riotous mix of dahlias, gloriosa lilies, philodendrons and orchids crammed into every inch of space conjures up the steamy South Asian jungle in a few deft sweeps of exotic, tropical-looking foliage and flowers.

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And I did love that there were vegetables here too. I’m always on the lookout for veg at Chelsea and these were as lush as the flowers that surrounded them. Some veg just have that jungly look, so it wasn’t a surprise to see gourds, okra and aubergines. But who knew cabbage and spinach could look exotic? Must add dahlias to the cabbage patch next year….

 

Postcard from Chelsea: Reinventing conifers

20 Wednesday May 2015

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artisan gardens, best artisan garden, dwarf conifers, RHS Chelsea Flower Show

sculptorspicnic

The Sculptor’s Picnic Garden

Gold and Best Artisan Garden

Bit tricky to capture a good pic of Graham Bodle’s atmospheric little woodland nook I’m afraid, so you’ll just have to take my word for it that this was an artisan garden with a quite remarkable sense of place.

For one thing, it reinvents the use of dwarf conifers where most have failed. If you thought pint-sized pines were best consigned to the 70s where they belong, I urge you to go take a look at this sparse, pared-down way of using them in the smallest of spaces.

The sculptural flattened sprays of Chamaecyparis obtusa ‘Stoneham’ flanking the path, for example, or the purplish brown cones of Pinus pumila picked up in a simple underplanting of the black-leafed clover, Trifolium pentaphyllum – and all over-arched by massive craggy stripped-back oak branches over seats and a table rough-hewn from tree stumps like something out of a Lord of the Rings film set. I shall never look at dwarf conifers in the same way again.

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